![]() ![]() The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Sorry this is a re up because the other one had st audioVanguard Nova Ti Red & Purple VSTIAnd Transparent Fl Studio SkinRate, Comment And SubscribeSub4S. It is who we see ourselves as, and how we distinguish ourselves from those around us. Our basis of personality, likes, dislikes, and how we relate to the world. Like the filters, Diva’s oscillators are also modelled on classic hardware. Through living out those lives and gathering information, you develop an ego. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. ![]() (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. Familiarize yourself with both the treble and bass clef notes.One spirit, many flavours Oscillators and Filters More than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your unique hybrid. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. Nothing needs to be changed other than the staff lines the notes appear on. Diva captures the spirit of five decades of analogue synthesizers. Since music note values are the same regardless of the clef the notes are written on, changing notes on treble clef is easier than it seems. Persona 3 dancing moonlight è già in super offerta su amazonĬhanging notes written originally on the treble clef to the bass clef may be needed when a songwriter changes his mind and decides a particular musical phrase should be played on a bass clef instrument rather than a treble clef instrument. ![]()
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![]() ![]() Clipton objects, believing this to be collaboration with the enemy. Nicholson is shocked by the poor job being done by his men and orders the building of a proper bridge, intending it to stand as tribute to the British Army's ingenuity for centuries to come. Desperate, he uses the anniversary of Japan's 1905 victory in the Russo-Japanese War as an excuse to save face he announces a general amnesty, releasing Nicholson and his officers and exempting them from manual labour. ![]() Should Saito fail to meet the deadline, he would be obliged to commit ritual suicide. In addition, the Japanese engineering plans are poor. The prisoners work as little as possible and sabotage what they can. With the deadline for completion approaching, the work on the bridge is a disaster. He wanders into a Siamese village, is nursed back to health, and eventually reaches the British colony of Ceylon. That evening, the officers are placed in a punishment hut, while Nicholson is locked in an iron box after getting beaten as punishment. Saito leaves the officers standing all day in the intense heat. After the enlisted men are marched to the bridge site, Saito threatens to have the officers shot, until Major Clipton, the British medical officer, warns Saito there are too many witnesses for him to get away with murder. Nicholson objects, informing Saito the Geneva Conventions exempts officers from manual labour. Dense jungle surrounding the camp renders escape virtually impossible.Ĭolonel Saito, the camp commandant, informs the new prisoners they will all work, even officers, on the construction of a railway bridge over the River Kwai that will connect Bangkok and Rangoon. Nicholson forbids any escape attempts because they were ordered by headquarters to surrender, and escapes could be seen as defiance of orders. Navy, who describes the horrific conditions. One of the inmates he meets is Commander Shears of the U.S. In early 1943, a fresh contingent of British POWs arrive at a Japanese prison camp in Burma, led by Colonel Nicholson. In 1999, the British Film Institute voted The Bridge on the River Kwai the 11th greatest British film of the 20th century. It has been included on the American Film Institute's list of best American films ever made. In 1997, the film was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the National Film Registry by the United States Library of Congress. The film won seven Academy Awards (including Best Picture) at the 30th Academy Awards. It was the highest-grossing film of 1957 and received overwhelmingly positive reviews from critics. The Bridge on the River Kwai is widely regarded as one of the greatest films of all time. As a result, Boulle, who did not speak English, was credited and received the Academy Award for Best Adapted Screenplay many years later, Foreman and Wilson posthumously received the Academy Award. Both writers had to work in secret, as they were on the Hollywood blacklist and had fled to the UK in order to continue working. It was initially scripted by screenwriter Carl Foreman, who was later replaced by Michael Wilson. The cast includes Alec Guinness, William Holden, Jack Hawkins, and Sessue Hayakawa. ![]() Although the film uses the historical setting of the construction of the Burma Railway in 1942–1943, the plot and characters of Boulle's novel and the screenplay are almost entirely fictional. The Bridge on the River Kwai is a 1957 epic war film directed by David Lean and based on the 1952 novel written by Pierre Boulle. $30.6 million (worldwide rentals from initial release) ![]() ![]() ![]() Concerns about contagion as a result of media exposure to suicide dates back to the Werther effect, first documented in 1774. Because this study’s respondents were from a general population sample, the study did not address the concern that certain subgroups of youths might be particularly vulnerable to the series’ content.ĭecades of research have substantiated the potentially detrimental impact of exposure to violent media images or content among children and youths. Younger viewers and those with higher social anxiety were especially sensitive to the intensity of the suicide and sexual assault scenes ( 23). Notably, however, 43% of viewers disagreed with the statement, “The way the suicide was depicted was appropriate for me personally,” and 33% reported that the content was too graphic. The survey revealed other benefits from watching the series-for instance, half of the respondents reported having apologized to someone for past mistreatment. sample reported talking to their parents about the series and related issues, supporting the producers’ hopes that the series would promote parent-child conversations about difficult topics such as suicide ( 2). The majority (71%) of participants in the U.S. In an effort to inform and educate, several national agencies, including the American Psychiatric Association, the American Foundation for Suicide Prevention, and the Suicide Prevention Resource Center, responded by distributing talking points about the series ( 18– 22).Ī study of a community sample of adolescents ages 13 to 22 from four global regions, including the United States, was commissioned by Netflix to explore reactions to the series ( 23). Following the release of season 1, there were also reports of increases in the volume of youths presenting to emergency departments (EDs) with suicide-related concerns ( 16, 17). Anecdotal examples of youths engaging in suicidal and self-harm behavior, citing the series as an influence, heightened the concern of health professionals, parents, and educators ( 14, 15). This phenomenon was balanced by an increase of 21% in searches for suicide hotline numbers and an increase of 26% in searches for suicide prevention ( 13). In the days following the release of 13 Reasons Why, season 1, suicide-related Internet searches increased markedly, with searches of how to “commit suicide” increasing by 26%. Notably, these concerns exist in the context of the rapid rise in suicide rates for youths in the United States, most significantly among adolescent girls ( 12). Criticism includes assertions that the producers did not adhere to media guidelines about suicide, citing the evidence regarding suicide contagion ( 7– 11). Some have recommended that vulnerable youths avoid the series or that Netflix cancel the series ( 5, 6). Some argue that the show glorifies suicide and could negatively influence vulnerable youths, whereas others believe that the series sheds light on important topics, thereby increasing awareness and promoting conversations about the reality of life in high school ( 2– 4). ![]() The series has generated significant discussion among parents, teachers, youths, and the suicide prevention community because of its handling of the topic of teen suicide and its graphic depiction of suicide and sexual assault ( 1). In 2017, Google searches about the show in the United States exceeded those for any other television or streaming series (/trends/yis/2017/US). The Netflix series 13 Reasons Why, a recounting of 13 reasons why a high school student chose to die by suicide, was released in March 2017 and has proven both popular and controversial. Given the potential for youths with mental health issues to view media content that may worsen their symptoms, increased parental knowledge of their viewing habits is recommended. The majority of youths at high risk of suicide in this sample watched the Netflix series 13 Reasons Why alone and did not discuss related topics with a parent or other adult.Ībout half of the youth viewers reported that watching 13 Reasons Why increased their suicide risk, and strong identification with the lead female character was correlated with this belief.Įmphasis on peer-focused interventions is warranted because of the likelihood that youths primarily reach out to friends to discuss difficult topics. ![]() ![]() ![]() The free version of DaVinci Resolve 15 can be used for professional work and has more features than virtually every other paid application for post production. Everything is in the same software application. The DaVinci Resolve 15 collaborative workflow dramatically speeds up post production because customers no longer need to import, export or translate projects between different software applications, and work no longer needs to be conformed when changes are made. It also enables collaboration so people with different talents can work together on the same project at the same time. This gives individual users unlimited creative flexibility because they can learn and explore different toolsets. All it takes is a single click to instantly move between editing, color, effects and audio. The edit page has all of the tools professional editors need for both offline and online editing, the color page features the world’s most advanced color correction tools, the Fairlight audio page is designed specifically for audio post production, and the new Fusion page gives visual effects and motion graphics artists everything they need to create feature film quality effects and animations. DaVinci Resolve 15 will also be demonstrated on the Blackmagic Design NAB 2018 booth at #SL216.ĭaVinci Resolve 15 continues to revolutionize post production by combining 4 extremely high end applications as different pages in one single piece of software. In addition, DaVinci Resolve 15 includes a major update to Fairlight audio, along with over 100 new features and improvements that professional editors and colorists have asked for.Ī public beta of DaVinci Resolve 15 will be available today and for immediate download from the Blackmagic Design website. DaVinci Resolve 15 adds an entirely new Fusion page with over 250 tools for compositing, paint, particles, animated titles and more. NAB 2018, Las Vegas, USA - ApBlackmagic Design today announced DaVinci Resolve 15, a massive update that fully integrates visual effects and motion graphics, making it the world’s first solution to combine professional offline and online editing, color correction, audio post production, multi user collaboration and now visual effects together in one software tool. New upgrade fully integrates visual effects and motion graphics, adds even more audio tools plus hundreds of new features and improvements that editors and colorists have asked for! Those who fall somewhere in between amateur and pro - such as higher-level enthusiasts or art and feature filmmakers - will find that investing the time to delve deeply into DaVinci Resolve reaps rich benefits.DaVinci Resolve 15 fully integrates visual effects and motion graphics, adds even more audio tools plus hundreds of new features and improvements that editors and colorists have asked for. A public beta of DaVinci Resolve 15 will be available today and for immediate download from the Blackmagic Design website.īlackmagic Design Announces DaVinci Resolve 15 Though Avid's learning curve is even steeper than DaVinci's, the vast majority of Hollywood blockbusters use Avid. ![]() If you're interested in a career as a video editor, Avid Media Composer | First might be a better choice. If your ambitions go no further than doing some casual video editing to share with family and friends on Facebook or YouTube, you would be better off with a more consumer-oriented app, such as HitFilm Express, or even investing $100 in Adobe Premiere Elements. Anything beyond the basics, though, and you'll want to consult the manual. ![]() That's true even for beginners because of the app's classic interface. The Basic features - like creating a project, joining clips together, trimming, adding a soundtrack, and even using color looks for mood and tone - are fairly easy to use. Bottom lineĭaVinci Resolve 15 is a pro-level app that's free to use for anyone who wants to give it a try. In many cases, a simple Undo, or several in sequence, failed to remove an errant viewer or box that popped up while I was doing something else. While simple editing moves are intuitive, the sheer volume, variety and complexity of controls available make it easy to click on a mysterious button without realizing its consequences - and then find yourself struggling to return to the previous state. ![]() Going through tutorials and the manual requires a hefty time investment that casual users may not be up for. ![]() ![]() ![]() Mixing the gravitas of such topics with a traditional musical comedy structure, combining a story about a non-traditional family, wry humor and a sensational score in one oversized package. While these can be heavy topics, Hairspray chooses to present them in an accessible way. Based on the John Waters film of the same name, Hairspray takes place in 1962 Baltimore, tackling segregation, racism, and sizeism. HAIRSPRAY 2012 One year later, in July of 2012, Festival Theatre’s production of Hairspray, “Broadway’s Big Fat Musical Comedy Hit,” which some would call the antithesis of HAIR, came rockin’ n rollin’ onto the stage of the Zeiterion. ![]() B Side: You Can’t Stop the Beat ( Hairspray, 2012) An average show currently costs in the vicinity of $300,000. 2011 was the last time Festival Theatre would produce two musicals in one season, Marchand attributes this to the rising costs of presenting the shows and keeping production quality at the level Festival Theatre is known for. Initially planning to present Titanic: The Musical and Hairspray, both Tony Award winning musicals, Marchand had to cancel Titanic due to insufficient funds. The lack of a sufficient audience for HAIR had an impact on Festival theatre’s 2012 Season. While HAIR was not a financial success (it had the lowest attendance of any Festival Theatre production, selling just 50% of Hairspray’s numbers one year later), Marchand considered it an artistic achievement for the creative team, going so far as to christen the production by Director/Choreographer Michael Susko a “Masterpiece”. HAIR 2011 This production would mark the third production entirely Directed and Choreographed by Michael Susko, who would go on to repeat those duties for eight more productions. ![]() If they took off their clothes off on Broadway, then they’ll take them off here too and we just hope the audience understands that,” he said of the brief nudity scene in the production of “Hair.” We do Broadway shows the way they’re meant to be done. The production’s harshest critics would cite the show’s alleged lack of patriotism and its famous nude scene as reasons to avoid it, but Executive Producer Armand Marchand, interviewed by Linda Murphy in the Fall River Herald News, said: “Our mission is bringing the best of Broadway to southern New England. Many of the production’s most vocal supporters had seen the show when it first revolutionized the American musical in the late 1960’s and early 1970’s either in Boston or New York. New Bedford audiences left the theatre in a state of elation it seemed the show had stood the test of time and still had something important to say. Jen Percival leads the company in “Aquarius.” On July 8, 2011, Festival Theatre opened its production of HAIR The Tribal Rock Musical. A Side: “What a Piece of Work is Man” (HAIR 2011) But first, Festival Theatre would face its greatest challenge, presenting a show which created as much divisiveness in 2011 as it did when it premiered 43 years earlier. Festival Theatre would also present revivals of two of its most popular productions, The Sound of Music and West Side Story. Festival Theatre’s third decade would see three recent Broadway hits play the Zeiterion stage, including Mary Poppins and the 2019 hit, Mamma Mia. Taking residence in the theatre cemented its status as an important part of downtown New Bedford’s DNA. Earlier that year, Festival Theatre moved its offices once again, when it became the resident theatre company of the Zeiterion Performing Arts Center. CONTROVERSY and ACCLAIM Flip Sides of a Generation Festival Theatre began its third decade in the summer of 2010 with the musical fable GYPSY. ![]() ![]() ![]() At first I couldn’t hit anything with him, but now I’m deadly. He plays decent defense and is athletic, but the main reason I use him is that I’ve really gotten good at his shot release. Cuttino Mobley (88) has earned the right to be my starting shooting guard. When I need a victory, I know I can put my faith in the Point God.Ģ. Whether it’s the pick and roll heavy Perimeter Centric system, or the run-and-gun insanity of Seven Seconds, he’s consistent and efficient. Chriiiiiiiis Paul! (83) Chris can be utilized in just about any system and is a point guard in the truest sense. **In announcer voice** At guard, standing 6 feet tall from Wake Forest university-ġ. Okay, everyone loves a good list, and Week 5 seems like a grand time to unveil my Top 5 go-to-guys (so far). He looks spiffy in his OKC jersey though. I never noticed this in the Collections Menu before, but the only player available right now is an emerald Carmelo Anthony so I guess there’s not much to see yet. So c’mon 2K, let’s get those missing players out in the world.įinally, there is a new set called Signature Series. Personally I’m just waiting for historic players to become available that I need to complete collections - I’m pretty close with the Jazz and the Sonics, like less than four cards each. That day wasn’t Tuesday, when the new new League Leaders packs dropped. Basically each card features a player who led the league in a statistical category, with the collection goal being a ruby Baron Davis (who led the league in steals apparently).There’s only like a dozen other Baron Davis cards that can be acquired this year, so I’m not super excited about this collection either. Personally, I’m a Steve Francis fan and am going to try and get my hands on his new Magic card, but beyond that, I’ll be saving my MT for another day. I’m guessing that’s because of his 3-point rating (97 for open shots, 93 for contested shots) and his plethora of gold shooting badges. I was wrong earlier, this will be the most overpriced card ever: Then the new batch of Throwback Thursday cards features a ruby Ray Allen. Also, I guess regular League Packs have been removed and replaced by Moments Packs? Interesting… (Except for the Lonzo Ball, which will probably be the most overpriced card ever.) I probably won’t buy any actual packs of these, but will instead just wait and cherry pick the auction house. There’s some cool players in there that I want, but I worry these cards will lose their value quickly. We also are (finally) getting our first Moments Cards of the season. There’s only two, based on this year’s opening night games, but that second challenge nets you 3,000 MT! Let’s get some business out of the way first, like the brand spanking new Moments Challenges. Though for big games like Domination where efficiency is key, I have a few go-to-guys that I know I can always rely on…īut I’ll discuss that a little later. Sometimes while putting a lineup together, I’ll come across a player I totally forgot I had and decide to build a squad around him. Five weeks into MyTeam, and the cards are starting to pile up. ![]() |
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